24.2 MP seems to be the perfect middle-ground for most photographers, delivering detailed images that can be blown up or cropped into, but not so large as to slow down post production workflow.Ī killer feature of the Sony a7 III is its class-leading auto-focus performance. The Sony a7 III features a 24.2 MP back-illuminated sensor, which helps to improve low-light performance. Sony makes incredible camera sensors, so good in fact that other camera manufacturers like Nikon actually use them in their cameras too.
FULL FRAME CAMERA CHEAP FULL
So what’s so good about the Sony a7 III? Let’s start with the heart of every full frame camera – the sensor. More importantly, both of the other recommended Sony full frame cameras are much more expensive than this one! Both of them offer certain features that the Sony a7 III does not, but these features only appeal to a very small number of photographers. You’ll see 2 other Sony mirrorless cameras below in this list of the best full frame cameras of the year.
The Sony a7 III is a strange beast, eating into not only the established DSLR-owner market but also cannibalizing sales of Sony’s more expensive offerings. While the other big camera manufacturers choose to release updated versions of their full frame camera models every few years, Sony seems to rush out its releases every year, often to the confusion/delight of consumers. Sony has made a name for itself for fast-moving innovation in the mirrorless camera market, and with the Sony a7 III, its position has been cemented as a major competitor to Canon and Nikon, set to disrupt DSLR sales worldwide. Weather sealing, an autofocus joystick, and dual sim-card slots round out the package.Oh Sony, what did you do to the camera market in 2018?! I can’t remember a camera release that piqued so much interest as the incredible Sony a7 III. It boasts 5-stop in-body image stabilization that it borrows from its more premium cousin, the Z6, which makes the Z5's low-light performance virtually magical compared to the crop-sensor camera I'm used to.
In particular, the ability to shoot at night, tripod free, with only a hint of the visual noise I'd expect from my Olympus OM-D EM10 - all without sacrificing the portability of a mirrorless body - has been a dream and the thing that will be next to impossible to go back from.īut the Z5's specific combinations of creature comforts make it even more compelling to me. These are all advantages I've been aware of in the abstract, but it's been a revelation to experience them first hand in a compact mirrorless body. There are various advantages that come with a big ol' sensor: creamier bokeh from a shallow depth of field, the ability to crop in obscenely far in post without pixels jabbing you in the eye, better low-light performance. And maybe more crucially, a sign of things to come. But the Z5's suite of features and general performance make it an especially enticing gateway drug for potential crop sensor converts like me. Not to mention you always could get a DSLR. Options like the Canon RP (which you can find for about $899 these days) and various pre-owned or older-model options of various higher-end bodies have it beat. At a list price of $1,399 (body only), the Nikon Z5 is not the cheapest mirrorless full frame camera available. Released back in August, the Z5 is primarily notable for two things in combination: sensor size and price. And Nikon's new Z5 has got me second-guessing where I thought I might be headed. And so like many photographers, I'm faced with reevaluating course for the future. But here in 2020, the road I choose looks to be a dead end.
I cast my lot with Micro Four Thirds with my eyes fully open, and for reasons that still hold up: cheaper gear, smaller lenses, resolution enough for 99 percent of purposes. When I bought my first camera, I made a conscious commitment to crop-sensor life.